Xenakis. The Electroacoustic music

Wednesday 23 May 2012 - 09:00 to Friday 25 May 2012 - 09:30

Paris 8 University

Scientific direction Makis Solomos
 
The electroacoustic works of Xenakis form only about a tenth of his output, but they are very important.
Indeed, most of them – from Diamorphoses to S.709, via Concret PH, Bohor, Persepolis, Polytope de Cluny, La Légende d’Eer, Mycènes alpha, Voyage absolu des Unari vers Andromède, Gendy3…– mark out the history of electroacoustic music as so many masterpieces of originality and absolute innovation.
Moreover, Xenakis had the opportunity of working with both the techniques of musique concrète and of electronic music, thus covering both great areas of what is commonly referred to as electroacoustic music.
In addition, his polytopes, in which technology plays a major role, were pioneering achievements in the history of the multimedia arts.
Composed at key moments in his evolution, these works can also be analysed for an understanding of the various aspects of the musical, theoretical, philosophical and interdisciplinary ideas of Xenakis: investigations into noise, stochastics, granular theory, experiments with spatialisation, inter-artistic projects…
It is also crucial to emphasise the fact that these works are very closely related to his instrumental music (there are, for example, many affinities between La Légende d’Eer and the orchestral work Jonchaies).
 

Xenakis. The Electroacoustic music - 1

Wednesday 23 May 2012 - 09:00

Paris 8 University

9 h
Welcome / Registration (Exhibition hall)

9h30
Opening (B106)

9h40-12h50
Electroacoustic and instrumental music
 
9h40 James Harley (musicologist-composer, University of Guelph, Canada)
Orchestral Sources in the Electroacoustic Music of Iannis Xenakis: From Polytope de Montréal to Kraanerg and Hibiki-Hana-Ma
Download the written communication here

10h20
Boris Hofmann (musicologist, Berlin, Germany)
The electroacoustic works of Xenakis and their instrumental ‘contemporaries’
Download the written communication here
 
11h30 Isabel Pires (composer-musicologist, CESEM-Centro de Estudos en Sociologia e isética Musical, Portugal)
La Légende d’Eer and Jonchaies: analytical commentaries
Download the written communication here
 
12h10 Adriano Monteiro, Said Bonduki (Master students in musicology and composition, Unicamp, Campinas, São Paulo, Brazil)
Compositional influences in Jonchaies from La Légende d’Eer
Download the written communication here

Moderator: Curtis Roads


14h-16h
Analysis of creative processes

14 h
Benoît Gibson (musicologist, University of Evora, Portugal)
An analysis of the compositional processes in Bohor (1962)

14h40
Elsa Kiourtsoglou (PhD Candidate in Architecture, Paris 8 University- ENSAPLV, France)
Diatope: An analytical approach to its conception process

15h20 Reinhold Friedl (Berlin, Germany)
Towards a critical edition of electronic music: versions and genesis of La Légende d'Eer

Moderator: Agostino Di Scipio


16h30-17h50
Aesthetics 1

16h30
Mihu Iliescu (musicologist, Paris, France)
La Légende d’Eer in the light of its literary argument: Gnostic symbolism and morphological archetypes
Download the written communication here

17h10
Christopher Haworth (artist, PhD Candidate, Sonic Arts Research Centre, School of Creative Arts, Queens University Belfast, Ireland)
Giving voice to the inaudible in Xenakisʼs work with Dynamic Stochastic Synthesis
Download the written communication here

Moderator: Anastasia Georgaki


18h15
Post-Xenakis forum (Amphi X)
Directed by Peter Hoffmann
With Russell Haswell, Florian Hecker (video-lecture), Alberto de Campo
Download the written communication here

19h15
Concert 1 (Amphi X)
Xenakis and musique concrète
Xenakis Diamorphoses (1958, 6’53’’)
Xenakis Orient-Occident (concert version: 1960, 10’56’’)
and other historical composers
Sound projection on Motus acousmonium: Olivier Lamarche

Xenakis. The Electroacoustic music - 2

Thursday 24 May 2012 - 09:30

Paris 8 University | B 106

9h30-12h40
Aesthetics 2

9h30
Kostas Paparrigopoulos (musicologist, Technological Educational Institute of Crete, Greece)
The sounds of the environment in the electroacoustic music of Xenakis
Download the written communication here

10h10
Gérard Pelé, François Bonnet (æsthetician/sound engineer, ENS Louis Lumière-ACTE, Paris 1 University/GRM-ACTE, France)
For an enlightened fetishism
Download the written communication here

11h20
Anastasia Georgaki (musicologist, National and Kapodistrian University of Athens, Greece)
Sound pedagogy through polyagogy: Initiation to Xenakis’ world in primary

12h
Ryo Ikeshiro (PhD Candidate in composition, Department of Music and Department of Computing, Goldsmiths, University of London, UK)
GENDYN, Noise and Virtuality: smooth space-time, affect and entropy in the stochastic synthesis of Xenakis
Download the written communication here

Moderator: Benoît Gibson


13h50-16h
Applied analysis (Exhibition hall / B 106)

13h50
Guilhem Rosa (PhD Candidate in Æsthetics, Sciences and Technologies of the Arts, E.A. Æsthetics, musicology, dance and musical creation, Paris 8 University, France)
The role of sound immersion in Iannis Xenakis: the example of Bohor + performance of Bohor (Exhibition hall)

14h40
Roger T. Dean, Freya Bailes (composer improviser-researcher/austraLYSIS and MARCS Auditory Laboratories, University of Western Sydney, Australia)
Event and Process in the Production and Perception of Electroacoustic Music
Download the written communication here

15h20
Daniel Teige (sound artist, Centre Iannis Xenakis)
Persepolis, dead or alive - A case study of applied research

Moderator: James Harley


16h30-18h30
Analysis

16h30
Makis Solomos (musicologist, E.A. Æsthetics, musicology, dance and musical creation, Paris 8 University, France)
Pour la Paix
Download the written communication here


17h10
Stéphan Schaub, Silvio Ferraz (musicologist/composer-musicologist, Unicamp, Campinas, São Paulo, Brazil)
The continuous-discontinuous dichotomy and the ‘calculation of time’ in the early works of Iannis Xenakis: the case of Analogique A and B (1959)

17h50
Benjamin Levy (musicologist, Arizona State University, USA)
“A Form that Occurs in Many Places”. Clouds and Arborescence in Mycenae Alpha
Download the written communication here


Moderator: Antonios Antonopoulos


19h
Concert 2 (Amphi X)
UPIC and Pour la Paix
Xenakis Taurhiphanie (1987-88, tape UPIC, 10’45’’)
François-Bernard Mâche Nocturne (1981, piano and tape UPIC, 10’30’’)
Xenakis Pour la Paix (1981, 4 reciters, mixed chorus, tape UPIC, 26’45’’)
Xenakis Nuits (1967, twelve voices, 12’)

Vocal ensemble Soli-Tutti and Petit Choeur de Saint-Denis, conducted by Denis Gautheyrie
Reciters
Georges Bériachvili, piano
Sound projection: Guillaume Loizillon, Makis Solomos

Xenakis. The Electroacoustic music - 3

Friday 25 May 2012 - 09:30

Paris 8 University| B 106

9h30-12h
Granular Paradigm

9h30
Agostino Di Scipio (composer-researcher, Conservatory of L'Aquila / Conservatory of Naples, Italy)
Stochastics and Granular Sound in Xenakis’ Electroacoustic Music
Download the written communication here

10h10 Luciano Ciamarone (composer-researcher, Conservatory of L'Aquila / Conservatory of Naples, Italy)
Towards a real-time implementation of Analogique B
Download the written communication here

11h20 Curtis Roads (composer-researcher, Media Arts and Technology, University of California, USA)
From grains to forms
Download the written communication here

Moderator: Horacio Vaggione


13h Concert 3 (Amphi X)

La Légende d’Eer
Xenakis La Légende d’Eer (1977)
Technique: Paris 8 (CICM)
Sound projection: Eliott Paris, Anne Sedes

14h-15h20
Æsthetics 3

14h
Dimitris Exarchos (musicologist, Centre for Contemporary Music Cultures, Goldsmiths, University of London, UK)
Listening outside of time
Download the written communication here

14h40
Mikhail Dubov (pianist-musicologist, Moscow State Tchaikovsky Conservatory, Russia)
Iannis Xenakis: the language of musicological research. Specificity of terminological apparatus, difficulties of translation, classification of some concepts

Moderator: Makis Solomos


15h50-17h10
Extensions

15h50
Rodolphe Bourotte (composer, Centre Iannis Xenakis, France)
The UPIC – How to draw sound in 2012 ?
Download the written communication here

16h30 Angelo Bello (composer, Broadcast Systems Officer, The United Nations, New York City, USA)
Extending Gendyn
Download the written communication here

Moderator: Stéphan Schaub


17h40-19h
Audio-Descriptors

17h40
Mikhail Malt (musician-computer instrument maker, Ircam, France)
A proposition for the analysis of Xenakis’ electroacoustic music by using audio-descriptors

18h20
Stéphan Schaub, Jônatas Manzolli (musicologist/mathematician-composer, Núcleo Interdisciplinar de Comunicação Sonora (NICS), Unicamp, Campinas, São Paulo, Brazil)
Applying Audio-Descriptors to the Analysis of Iannis Xenakis’ Gendy3 (1991)

Moderator: Dimitris Exarchos


19h15
Concert 4 (Amphi X)
Xenakis and granular sensibility
Xenakis Concret PH (2’45’’)
Horacio Vaggione Points critiques (16’)
Curtis Roads Never (7’30’’)
Touche pas (5’26’’)
Epicurus (3’06’’)
Agostino Di Scipio Untitled (sound synthesis, October 2001, from Paysages Historiques, 6’35’’)
Punti di tempi (1987-88, 3’)
Anne Sedes Variations (9’48’’)
Roberto Pugliese Microrganica (8’38’’)
Technique: Paris 8 (CICM)
Sound projection: The composers

Parallel events
Spatialisation workshop
(Wednesday, Amphi X, 16h-18h)
Directed by Guillaume Loizillon (Paris 8 University), Nathanaëlle Raboisson (Motus/Paris 8 University)

Iannis Xenakis Exhibition

(Exhibition hall, 24 May - 4 June)
Exhibition prepared by the Cdmc.
Conception Sharon Kanach, Katherine Vayne

Lectures communicated on paper

Renaud Meric (musicologist, Marseilles, France)
Concret PH, a composed space?

Andrea Arcella, Stefano Silvestri (composer-researcher/master student in computer science and electronic music, Conservatory of Naples, Italy)
Analogique A and B. A computer model of the compositional process
Download the written communication here

Organising committee
Makis Solomos, Guillaume Loizillon, Anne Sedes (Paris 8 University), Laure Marcel-Berlioz, Katherine Vayne (Cdmc), Daniel Teruggi (GRM), Vincent Laubeuf (Motus)

Scientific committee

Antonios Antonopoulos (Thessalonica University, Greece), Moreno Andreatta (Ircam, France), Gérard Assayag (Ircam, France), Anne-Sylvie Barthel-Calvet (Paul Verlaine-Metz University, France), Pierre-Albert Castanet (Rouen University, France), Jean-Marc Chouvel (Rheims University, France), Agostino Di Scipio (Conservatorio di Napoli e di l’Aquila, Italy), Simon Emmerson (De Montfort University, UK), Dimitris Exarchos (University of London, UK), Reinhold Friedl (Berlin, Germany), Anastasia Georgaki (National and Kapodistrian University of Athens, Greece), Benoît Gibson (Evora University, Portugal), James Harley (University of Guelph, Canada), Peter Hoffmann (Berlin), Boris Hofmann (Berlin), Guillaume Loizillon (Paris 8 University, France), Mikhail Malt (Ircam, France), Kostas Paparrigopoulos (Technological Educational Institute of Crete, Greece), Gerard Pape (Paris, France), Curtis Roads (Media Arts and Technology, University of California, Santa Barbara, USA), Stephan Schaub (Unicamp, Campinas, São Paulo, Brazil), Anne Sedes (Paris 8 University, France), Benny Sluchin (Ircam, France), Giorgia Spiropoulos (Greece), Makis Solomos (Paris 8 University, France), Ronald Squibbs (University of Connecticut, USA), Martin Supper (Universität der Künste, Berlin), Daniel Teruggi (GRM, France), Horacio Vaggione (Paris 8 University, France).

Reception

Patricia Bizzotto, Vincent Guiot, students at Paris 8

Université Paris 8 Saint-Denis

2 Rue de la Liberté
93200 Saint-Denis
Metro 13 Saint-Denis Université
All lectures, unless otherwise indicated, are given in hall B 106
The concerts take place in Amphi X

Partnership Cdmc | Université Paris 8, E.A. 1572

Musicology, æsthetics, dance and musical creation
In collaboration with the GRM and Motus
With the support of the Sacem, the Salabert Foundation and Éditions Salabert

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