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A French composer born February 2, 1925 in Verzy who died July 28, 1996.
After his mathematical studies were interrupted during World War II, Michel Philippot entered the Paris Conservatory and studied composition with René Leibowitz (1946-1950).
A German composer born September 23, 1964 in Dassau (Germany).
Annette Schlünz studied composition at the Musikhochschule in Dresden (1983-1987) and at the University of Berlin (1988-1991). Often finding inspiration in literature and poetry, she develops material that is limited at first, and she renounces any outbursts of virtuosity. She works on time, on its dilatation and contraction in a sound continuum, yet also on the modes of instrumental and vocal play, finding unusual ways of applying sounds, and tone-colours seemingly unrelated to the instrument in question.
A French composer and conductor of Iranian origin born December 3, 1945 in Tehran (Iran).
After his music studies in Iran, Iradj Sahbai completed his training at the conservatories of Strasburg and Paris, where he followed the teaching of Olivier Messiaen and won, notably, the composition prize.
A French composer born October 11, 1969 in Cherbourg.
A self-taught composer, his aspirations reassured by a meeting with Pascal Dusapin, Igor Ballereau followed classes in harmony and counterpoint at, respectively, the Conservatory of the 10th arrondissement of Paris and the École Nationale de Musique ‘Alfred Cortot’.
Putting this experience to good use, he took part in a workshop at the Centre Acanthes (1994) as well as in important projects as musical assistant and assistant conductor (To be sung by Pascal Dusapin; Jacob Lenz by Wolfgang Rihm; Kassandra by Michael Jarrell).
A Japanese composer born April 27, 1977 in Osaka (Japan).
A pianist by training, Dai Fujikura has an interest in film music, in particular for horror films. He studied at the Royal College of Music then at King’s College, London, notably with George Benjamin, obtaining a doctorate.
A Brazilian composer and conductor born March 3, 1967 in Sao Jose Do Rio Preto (Brazil).
A pianist by training, Maury Buchala studied at the University of São Paulo in Brazil before following advanced classes in composition and conducting in Europe. He took part, notably, in courses at Acanthes and Ircam and developed an interest in new textures influenced by electronic sounds in instrumental processes.
Juan Pablo CARRENO
A Colombian composer born January 10, 1978 in Bucaramanga (Colombia).
Juan Pablo Carreño studied at the University of Bogota (Colombia), the International University of Florida (USA), then at the Paris Conservatory, notably with Gérard Pesson, Claude Ledoux, Michaël Levinas and Luis Naon. At the Centre Acanthes, in 2008, he also followed the composition classes of Salvatore Sciarrino.
A Peruvian composer born September 4, 1981.
Having begun his musical training at the National Conservatory of Peru, Juan Arroyo studied composition at the Bordeaux Conservatory then at the Paris Conservatory with Stefano Gervasoni, Luis Naon and Michaël Levinas. He also took part in the workshop of Voix Nouvelles in Royaumont as well as the composition course at Ircam.
A French composer, guitarist and stage director born October 14, 1976 in Vire.
A guitarist by training, Benjamin Dupé studied at the Nantes Conservatory then that of Paris, notably in the classes of Alberto Ponce and Alain Savouret.
In search of forms other than those of the traditional concert, of new relationships between music, stage and audiences, he cofounded, with Benjamin de la Fuente and Samuel Sighicelli, the collective company for musical creation Sphota, with which he puts his qualities to good use as a composer, instrumentalist-improviser and stage director.
An Italian composer born June 3, 1981 in Taranto (Italy).
A pianist by training, Maurilio Cacciatore studied composition with Fabio Cifariello Ciardi at the Perugia Conservatory, with Ivan Fedele at the Strasburg Conservatory and at the Accademia Santa Cecilia in Rome, also taking part in the computer assisted composition course at Ircam.
His investigations into layout and algorithms for electronic sounds as well as into gesture and tone-colour are an invitation to a journey to the heart of sound, in performances that are often staged, in which music and visuals are conceived together right from the start.
CAMPION Edmund J. (1957)
CAMPO Régis (1968)
CAMPOVERDE Juan (1964)
CANAT DE CHIZY Edith (1950)
CANNON Philip (1929)
CANTON Edgardo (1934)
CAPDENAT Philippe (1934)
CAPELLE Bruno (1966)
CAPRIOLI Alberto (1956)
CARATINI Patrice (1946)
CARCANO Carlo (1970)
CARINOLA Vincent-Raphaël (1965)
CARL Robert (1954)
CARLES Marc (1933)
CARRE Gilles (1956)
CARRE Rémy (1954)
CARRENO Juan Pablo (1978)
CARTER Elliott (1908-2012)
LA CASA Eric (1968)
CASTAGNOLI Giulio (1958)
CASTANET Pierre-Albert (1956)
CASTELLANI Hervé (1965)
CASTEREDE Jacques (1926-2014)
CASTIGLIONI Niccolo (1932-1996)
CATTANEO Aureliano (1974)
CAVANNA Bernard (1951)
CAVRO Jean-François (1963)
CECCONI-BOTELLA Monic (1936)