The Cdmc holds a unique collection representing all aesthetics within musical creation. This collection has grown thanks to the collaboration of composers, publishers and Radio France. With a consultation area open to the public, the centre also affords access to many online resources through the Catalogue and the Gateway to Contemporary Music. A beacon of the latest music news with its website, the Cdmc organises encounters with the movers and shakers of contemporary music.
The Cdmc presents a season of encounters, seminars and day study sessions designed to counterpoint the views of specialists and professionals and to spotlight composers and performers. Focussing on topical aspects of the music scene, they are organised in collaboration with the main players of musical creation: ensembles, centres for creation, festivals, etc., as well as with those involved in research, the universities and conservatories. Dédicaces (Dedications): these are encounters featuring newly released books, discs or DVDs.
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Natural models and imaginary scenarios - Day 2
Cdmc
9h30 On the relationship between sounds of nature, instrumental sounds and electronic sounds in some works of François-Bernard Mâche and Jean-Claude Risset
Laurent Pottier, Jean Monnet University, Saint-Étienne
10h From natural models to novel sound decor: Lady Sarashina by Peter Eötvös
Béatrice Ramaut-Chevassus, Jean Monnet University, Saint-Étienne
10h25 On the use of natural models and imaginary scenarios in the early mixed works of Jean-Claude Risset: Little Boy (1968-1970), Dialogues (1975) and Inharmonic (1977)
Olivier Baudouin, Paris-Sorbonne University
11h05 Musical time in the works of François-Bernard Mâche
Georges Bériachvili, pianist, musicologist, Houilles Conservatory
11h30 Invisible for soprano and tape (1996) by Jean-Claude Risset: universalism and metaphor
Pascal Pistone, musicologist, composer and conductor, Bordeaux III University III
11h50 Shadows by Peter Eötvös or the imaginary scenario of sounds
Aurore Rivals, musicologist, artiste
12h15 François-Bernard Mâche and the UPIC of Iannis Xenakis: towards a redefinition of melodic contour
Cyrille Delhaye, GRHIS and Rouen University
Moderation: François Madurell
14h30 The electro-acoustic thread of Iter memor (1985) for cello and tape by François-Bernard Mâche
François-Xavier Féron, researcher associated with the Analysis and Musical Practice team (Ircam)
The piece Iter memor will be played in its entirety after the talk by Hélène Latour, cellist and François-Xavier Féron, electro-acoustic diffusion.
15h05 Realism, novel phenomena and continuity: on the piece Mutations and the early scientific studies of Jean-Claude Risset (1964-1969)
Anne Veitl, researcher
15h30 The relationship between art and science in the early works of Peter Eötvös
Bálint Veres, University of the Arts ‘Moholy - Nagy’, Budapest (Hungary)
16h Final discussion, round table
Moderator: Philippe Lalitte
Musical interlude
10h50 Jean-Claude Risset Resonant
Soundscapes: 4/ Reverberating; 5/ Bells, horns (trompes)
15h55 Peter Eötvös Cadenza, Aurore Rivals, flute
18h30 Concert
Paris Conservatory | Salle Emmanuel
Peter Eötvös
Kosmos
Georges Bériachvili, piano
Jean-Claude Risset
Nature against nature
Four rhythmic exercises, for percussionist and media fixed sounds
Thierry Miroglio, percussion
Peter Eötvös
Thunder
Thierry Miroglio, timpanum
François-Bernard Mâche
Nocturne for piano and recorded sounds
Georges Bériachvili, piano
Partnership Cdmc – Université de Strasbourg Labex GREAM – Hungarian Institute in Paris – Institut Universitaire de France