The Cdmc holds a unique collection representing all aesthetics within musical creation. This collection has grown thanks to the collaboration of composers, publishers and Radio France. With a consultation area open to the public, the centre also affords access to many online resources through the Catalogue and the Gateway to Contemporary Music. A beacon of the latest music news with its website, the Cdmc organises encounters with the movers and shakers of contemporary music.
The Cdmc presents a season of encounters, seminars and day study sessions designed to counterpoint the views of specialists and professionals and to spotlight composers and performers. Focussing on topical aspects of the music scene, they are organised in collaboration with the main players of musical creation: ensembles, centres for creation, festivals, etc., as well as with those involved in research, the universities and conservatories. Dédicaces (Dedications): these are encounters featuring newly released books, discs or DVDs.
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Natural models and imaginary scenarios - Day 1
Cdmc
9h30 Welcome by Laure Marcel-Berlioz and Márta Grabócz
9h45 An imaginary encounter: ‘duel’-type scenarios in the works of the three composers
Márta Grabócz, Strasburg University and IUF
10h15 Shifting models in the works for string quartet by François-Bernard Mâche
Jean-Marc Bardot, Jean Monnet University, Saint-Étienne
10h40 Analysing the imaginary in the electro-acoustic music of Jean-Claude Risset
Pierre Couprie, Paris-Sorbonne University
11h20 Natural models in the music of Peter Eötvös: between compositional inspiration and the construction of an ideal. The example of Kosmos (1961-1999)
Marie Laviéville-Angelier, University of Paris-Est Marne-la-Vallée
11h45 The idea of an imaginary sound scenario and its relationship to the perception and performance of the mixed work Luraï by Jean-Claude Risset
Elsa Filipe, Paris-Sorbonne University
12h10 Formal and Expressive Function in the Work of François-Bernard Mâche: Implications for Narrative Computer Composition
Daniel Brown, University of California, Santa Cruz
Moderation: Pierre-Albert Castanet
14h30 Burial-Extraction. Traces of lapsed time (Peter Eötvös and François-Bernard Mâche)
François-Gildas Tual, CRR of Grenoble
15h The art of portraying drama according to Peter Eötvös
Pedro Amaral, composer, conductor (Portugal)
15h45 - 17h45 Round table in the presence of the composers
Introduction to the discussion by Jean-Claude Risset: “Nature against nature”
Moderation: Jean-François Boukobza
Musical interludes
11h05 Peter Eötvös Conte
15h25 Jean-Claude Risset Resonant
Soundscapes: 1/ Bells, brass, metal; 2/ Filters; 3/ Plectra