Multilateral listening: Pascale Criton, Christine Groult, Beatriz Ferreyra
From the technical set-up to the dramaturgy of sound, what are the forms of subjectivity that run through a work? In the course of this day session of encounters, three composers, Beatriz Ferreyra, Christine Groult and Pascale Criton investigate the various forms of listening, the spaces of diffusion, the modalities of the perception and reception of sound that are relevant for their music.
9 h 45 Welcome
Dialogues
10 h Building ⇔ composing
Makis Solomos – Beatriz Ferreyra
10 h 45 Devising in situ
Florence Giust-Desprairies – Christine Groult
11 h 45 Becoming and experimenting
Anne Sauvagnargues – Pascale Criton
14 h 30 Ways of listening
Various ways of listening together with the presentation of compositions are on the programme, from monophony to stereo and multiphony, via structure-borne listening (conduction through bone material), on equipment specially installed for the occasion.
Pascale Criton L’oreille ubiquiste
Christine Groult Reliefs plans perspectives
Beatriz Ferreyra Plasticité mobilité: une diffusion en acte
17 h Three-way exchanges
Pascale Criton, Beatriz Ferreyra, Christine Groult
Discussion with the public
With the participation of Hugues Genevois, Florence Giust-Desprairies, Hyacinthe Ravet, Florence Rochefort, Anne Sauvagnargues and Makis Solomos.
/// Admission free, reservation 01 47 15 49 86
A partnership Cdmc – Art&Fact – Pantin Conservatory