Maurice Ohana, bird catcher

Thursday 14 February 2013 - 09:30
Maurice Ohana, bird catcher

Cdmc
Coordination Bruno Giner, François Porcile

“You have to be a birdman to catch sounds without killing them”, as Maurice Ohana liked to say. We celebrate the centenary of his birth and he is still the “famous unknown”, as he was hailed on his death on 13 November 1992. His music, so individual and so singular, an exact mirror of his fierce independence, cannot be reduced to a label or a classification. Its rich variety lies elsewhere, in a free-ranging synthesis of all ethnic and historical trends, upon which this day study session will seek to cast light.
 
9h30 Portrait. The ‘three idols’ of Maurice Ohana
François Porcile, cineast and musicologist

10h30
Maurice Ohana, or a free spirit confronted by postwar aesthetic dogmas
Bruno Giner, composer

11h
Maurice Ohana and microintervallism
Alain Louvier, composer

11h45
Medieval models in the work of Maurice Ohana
Vincent Trollet, composer, in discussion with Frédéric Rantières, medievalist singer and researcher

14h30
Free writing and notation in Maurice Ohana
Edith Canat de Chizy, composer

15h
The singularity of Maurice Ohana’s vocal world
Roland Hayrabédian, director of Musicatreize

15h30
The vocal art of Maurice Ohana, a bridge between amateur and professional performers
Guy Reibel, composer

16h15
The genesis of Maurice Ohana’s music theatre and the lure of the Far East
François-Bernard Mâche, composer in discussion with Pierre Barrat, stage direcxtor

16h45
Round table on Maurice Ohana’s music theatre with the participation of François-Bernard Mâche, composer, Pierre Barrat, stage director, Philippe Nahon, conductor, Ton Thât Tiêt, composer and (to be confirmed) Felix Ibarrondo

Musical interludes


Tiento

Tania Chagnot, guitar

Quatre improvisations

Marie Bénichou, solo flute

Sarc

Emmanuel Rey, solo oboe

Aube et Plahn extracts from Si le jour paraît
Tania Chagnot, 10-string guitar

 

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